I love stories.

I listen to them. I watch them on TV, videos, or movies. I read them.

And I write them.

I’ve written almost every kind of story there is. Mystery, romance, confession, science fiction, fantasy, paranormal, horror, and every other kind I can think of and garnered a couple prizes and ‘best-selling’ author designations along the way.

I’ve written short stories, novellas, and novels.

In the process I’ve learned that my favorite stories are science fiction and paranormal. Preferably the two combined.

My stories are always clean, they are always either contemporary or near future, they always have at least a slight romantic element, and they always end happily. Always. Guaaranteed. (Okay, two short stories, ‘The River Boy’ and ‘Down From The Mountain’ have endings that might not be considered completely happy. Maybe just somewhat happy. You decide.)

Check out the covers below and see what you think. And have a happy, happy day.


What’s the best way to approach writing the second draft of your novel?

 This is kind of a hard one. Everyone knows how to write a first draft. Just write it. But most novels published by major New York publishers go through 10 rewrites. Tenrewrites! That’s a lot of drafts.

But one way to get started on that dreaded second draft is to refer back to the outline, mental or otherwise, that you made before starting to actually write your novel.

Does what you actually wrote fit what you planned to write? Did you succeed in staying on task? Did you say what you wanted to say? And so on with whatever questions are right to ask about your own story.

If something strayed from your original intent, was what you said better than what you thought you’d say? If so, then redo that original plan and then make sure that your new, revised story fits your new, revised plan. Mark places that need changing so the story as a whole fits the new, revised plan.

If your original story is what turned out to be right after all, then does what you wrote stick to that plan? If not, then make notes of which parts need to be changed.

This isn’t an exercise in futility. It’s a way of making sure your story works and moves forward smoothly. And it doesn’t require changing a single word. Yet. (That will come later, on rewrite number 3, when you do the same thing with each chapter, and then each scene, and then each paragraph.)

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