Once, at a writers’ meeting, a fellow writer said he was quitting the group. His explanation? He’d had a happy childhood. We all understood. Some of the best writers out there grew up in unhappy homes. Not all, but a lot. Those unhappy childhoods gave them both content and incentive to write great stories.
I had a happy, normal, well-adjusted childhood. As a beginning writer, I started out writing what I knew about and that was happy, well-adjusted … and boring.
I realized I’d have to learn how to create characters that don’t put my readers to sleep or go to work at Walmart. I did so by creating characters who have difficulty with adversity because, like me, they’ve never known it and so, don’t know how to deal with it when it hits them over the head. It worked and I started selling.
I still struggle with the process.
As a writer, you must do whatever works for you to create great characters. You can throw problems you are familiar with at them or you can throw problems at them that you … and they … know nothing about. Doesn’t matter which as long as they end up with problems they can’t handle.
Your characters will grow, your story will be better and, most of all, your characters will be more interesting.